(not quite) a whole tree


4-8 September, Woodlane Campus, Falmouth, Cornwall TR11 4RH

For my final MA ART & ENVIRONMENT exhibition at University College Falmouth, as well as a selection of BUNDLES OF STICKS and indigenously gathered materials within a workshop/studio installation and a show reel of videos completed during the course (https://intim8ecology.wordpress.com/anim8/), I continued my work with COURAGE COPSE CREATIVES by appropriating a single larch tree. The following statement accompanied the exhibition… 

 MA Show space 24812 

Vincent Large felling a larch tree at Courage Copse Creatives 13812

As part of our daily lives we are faced with the constant dilemma of taking life and utilizing resources for the purpose of our own survival. In this age of environmental and economic crisis it is not just a matter of whether we should or whether we have the right to continue to interact within the universal ecology, but rather how and how much we choose to do so and also the respect with which we treat the resources that are provided.

The 20 year old, 15-metre Japanese Larch (Larix kaempferi) presented here was felled as part of a woodland restoration project in North Devon – Courage Copse Creatives is based on a PAWS (Plantation on Ancient Woodland Site). The dense crop of Larch and Douglas Fir was originally planted in the 1930’s as part of the Forestry Commission’s drive to supply timber for building and agricultural purposes. In this particular instance such fast growing hardy species were imposed onto oak and hazel coppices dating back at least 400 years. The intensive nature of planting of inappropriate species of the region has led to soil degradation and a decrease in the rich biodiversity associated with manually sustained woodlands of this kind.

 (not quite) a whole tree, 13812

Courage Copse Creatives intends to restore (to a certain extent) the previous coppice through the implementation of small scale, low impact initiatives and enterprises as part of the woodland including charcoal and biochar production, firewood, building timber, forest hens and ecological art projects. Within previous planning and land use laws to pursue what would seem a perfectly reasonable and sensible endeavour has revealed an incredibly complex bureaucracy to negotiate. While often protecting the environment and people’s livelihoods such laws may also act as a barrier to creative and appropriate resolution of our present ecological difficulties, simply maintaining the power dynamic that undermines an individual’s ability to act freely for the good of all – yet another dilemma of our current crisis.

As an ecological artist, involvement with such projects has provided opportunities to experience and share such dilemmas and dichotomies first hand.

horntail (Uroceros gigas), courage copse 13812


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