white face and wigs 4813

bIDEFORD bLACK meets the cREMASTER cYCLE

Since creating the black wool balls with Bideford Black and locally gathered, seasonally molted sheep fleece[i], for some inexplicable reason I have had a strong urge to tie the wool to my head!? Its resemblance to a toupee or wig as it lay not-quite-passively upon the table was animatedly uncanny[ii]. So, having collected some white clay[iii], and following on from my recent facial investigations with Bideford Black[iv], it only seemed right to cover my head with the stuff and place the offending article of fashionable esteem quite reasonably on the top.

white face and wigs 4813 1 white face and wigs 4813 1 – petrockstowe white clay (p ward + f owen 2013)

Francesca kindly agreed to photograph me, and to add more paint. The attendant lively conversation rendered a gamut of imaginative eventualities and furtherences – Old Mother Riley[v] (my mother said), French clowns, transvestitism, eighteenth century courtly wigs, tribal face painting and regalia with references to Matthew Barney’s Cremaster Cycle, and then just plain daft! Again the process of obliterating my features with colour from the earth and its transformative inferences, both during painting, photographing and the resulting photo editing was invigorating and filled with power. When applying the clay in the mirror it is similar to painting a self-portrait but I am the canvas – thicker clay obliterating some features but highlighting others. There is definitely a physical as well as a metaphysical quality to the process. How much of this is due to the nature of the materials and the locale of their gathering, and how much due to the visual mutations and intensity of tactile and visual observation I am not sure, but it is an avenue I will continue to explore… 

white face and wigs 4813 2 – petrockstowe white clay, bideford black, shoe laces and molted sheep fleece (p ward + f owen 2013) white face and wigs 4813 2 – petrockstowe white clay, bideford black, shoe laces and molted sheep fleece (p ward + f owen 2013)

white face and wigs 4813 3 – petrockstowe white + orange clays, bideford black, shoe laces  and molted sheep fleece (p ward + f owen 2013) white face and wigs 4813 3 – petrockstowe white + orange clays, bideford black, shoe laces  and molted sheep fleece (p ward + f owen 2013)

 white face and wigs 4813 4 – petrockstowe white + orange clays, bideford black, shoe laces  and molted sheep fleece (p ward + f owen 2013) white face and wigs 4813 4 – petrockstowe white + orange clays, bideford black, shoe laces  and molted sheep fleece (p ward + f owen 2013)

white face and wigs 4813 5 – cleaning up (p ward + f owen 2013) white face and wigs 4813 5 – cleaning up (p ward + f owen 2013)

A selection of the resulting images and materials will be displayed in the forthcoming BIDEFORD BLACK exhibition at the white moose gallery[vi] in Barnstaple from September 6th. Many thanks again to Francesca for her patience, good humour and sensitivity[vii]. All materials have been gathered locally and responsibly in North Devon.

P Ward 2013


[i] https://intim8ecology.wordpress.com/2013/05/04/black-sheep-3513/

[ii] https://intim8ecology.wordpress.com/2013/07/31/searching-for-a-voice-of-love-in-an-ecology-of-blame/

[iii] https://intim8ecology.wordpress.com/2013/08/08/gathering-clay-paint-at-petrockstowe-3813/

[iv] https://intim8ecology.wordpress.com/2013/07/10/bideford-black-face-8713/

[v] Old Mother Riley was a music hall act which originally ran from about 1934 to 1954 played by Arthur Lucan, then from 1954 to 1977 by Roy Rolland. (Wikipedia)

[vi] http://www.whitemoose.co.uk/

[vii] http://dancingwithdyes.wordpress.com/

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