a walk through ‘hallowed’ ground

chapel wood 19914[i]

a local woodland, newly discovered, a sense of the sacred and a poignant reminder that our work can reach beyond our own immediate realm of influence. yet how and why must we (humankind) consider and demarcate some areas of land over others? does this then allow us to abuse those not considered quite so ‘sacred’ or special?

in some ways such an argument reminds me of the concept of ‘ecopornography’[ii] that identifies how the selective/discriminatory practice of the visual arts and popular media, especially with regards environment, often mask and hence proliferate ecocidal abuses through denial of its continued existence. maybe it is one task to find beauty in all, to celebrate, embrace and value the mundane and commonplace – the often ‘dirty’, messy side rather than the idealized, pristine, ‘perfect’ and virtually impossible version of reality that inspires our continued dislocation from this dynamic emerging world!?

this said, it is hard to deny the restorative powers of an ancient woodland filled with birdsong at dusk, traces of other mingling with the moist resonant scent of regenerative earth…

chapel woods I (© p ward 2014)chapel woods I (© p ward 2014)

chapel woods II (© p ward 2014)chapel woods II (© p ward 2014)

chapel woods III, forest schools work with local pigments (© p ward 2014)chapel woods III, forest schools work with local pigments (© p ward 2014)

chapel woods IV (© p ward 2014)chapel woods IV (© p ward 2014)

chapel woods V (© p ward 2014)chapel woods V (© p ward 2014)

“DON’T GO TO NATURE, LET NATURE COME TO YOU.”[iii]

© p ward 2014 [i] http://www.rspb.org.uk/discoverandenjoynature/seenature/reserves/guide/c/chapelwood/about.aspx [ii] http://ecoartfilm.com/2012/07/09/ecopornography-slow-violence-and-the-deep-slow-art-of-place/ [iii] from bench in chapel woods, author unknown.

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