BIDEFORD BLACK workshop @ the sandy brown museum 27914Posted: October 11, 2014
At a second attempt, a motley crew of eight interested and involved parties mustered opposite the Burton Art Gallery in Bideford for a day of exploration into the blacker than black, the dirty sticky stuff, the pigment pride of North Devon[i]. To lead the party were myself, an artist by most accounts who has previously dabbled creatively most deeply into this unctuous substance, and Dr Chris Cornford, director of IGI Ltd[ii], who has conducted personal but extensive geological research into the pockets of vitrinite (coal measures) that punctuate the underworld between Greencliff on the coast and Umberleigh on the River Taw 12 miles inland.
Having chosen vehicles we headed to ‘the source’ at Greencliff to start the day. Dr Cornford settled into his rhythm, spinning geological tales, tales over hundreds of millions of years, tales of light and colour and structure and form, of crushing heat and weight, of forests and mountains before our imagination. For all we knew he could have been making it all up but science has a funny way of drawing us in – of describing our observations and imaginations with such doubtlessness that our questions seem trivial. Just let the waters flow over with the words and I’ll see you on the other side. The story wrapped up for another day. Given to permutations and evolutions in its dreams before it is unearthed on another.
Thus we enjoyed the magnificence of the coast, the seam and its company for a while, taking our fair share as others had evidently done before us – mini mines punctuating the 70-degree cliff-face smudge, a puddle of paint appearing at its base, art and science happily wandering hand in hand, not adulterated pseudo-science or wishy-washy art-fangled nonsense, but ART & SCIENCE, making no excuses for their individual natures but co-existing and complementing, enriching experience in their own ways for whoever may have an ear, or an eye or a sense at all.
So after a most generous lunch and perusal of past work in the Burton Art Gallery & Museum, the afternoon was spent in the inspiring presence and environment of the Sandy Brown Museum in Appledore, a starting point for my own earthy adventure. And armed with the morning’s preamble and a few buckets of black thick gritty carboniferous clay, we set to work in our own ways, exploring our own relationships, surprising our presumptuous preconceptions, being frustrated by a lack of colour and a dull ache for more. This is BLACK. I am BLACK! Do with me what you will and I will do as much as I can muster. I will sink in deeply, drawing light from this most pleasant day until we learn to play in joy and recognition of our own natures. Light and shadow arm in arm…
Many thanks to all those who participated; to Sandy[iii] for sharing her space, to Chris for giving of his time, knowledge and enthusiasm and to beautiful Nature for sharing her abundance so generously.
© P Ward 2014