is an artist’s worst fear selling their work?

sense to non-sense: new paintings 2017

A friend was recently horrified when her painting sold at a gallery before she could “say goodbye to it”!? Of course, she was pleased that someone (a complete stranger) liked her work and could see themselves enjoying it for a while to come (enough to pay a decent amount of money for it) but the fact that we become attached to our creations is hard to deny. We may often feel that our work isn’t finished or good enough, and even wonder why anyone else would see any value or sense in what we do. But is this simply a manifestation of our own lack of self worth or the influence of the present societal disregard for the value of art and culture to our spiritual wellbeing? Fortunately I seem to not suffer too much from any of the above ‘ailments’ and cannot rightly understand why my works of pure creative genius and beauty are not snapped up the minute they leave the easel??!! I am more often overwhelmed with wonder at the shear scope, skill and diversity shown in my humble paintings and offered at such a reasonable price too!

Anyway, here is a selection of my latest work for exhibitions I will be participating in over the next few months and years…

revisiting dreams I (earth pigments and gum arabic on paper) © p ward 2015

revisiting dreams II (earth pigments and gum arabic on paper) © p ward 2015

offcuts in an offcut frame vii – looking out to sea (earth pigments on wood) © p ward 2017

i am not alone (earth pigments on driftwood board) © p ward 2017offcuts in an offcut frame viii – quite small (earth pigments on wood) © p ward 2017

berrynarbor preschool mural (north devon earth pigments on board) © eARTh 2017

drawing on obscurity II – yoga (north devon earth pigments on board) © peter ward 2017drawing on obscurity III – fox running (north devon earth pigments on board) © peter ward 2017drawing on obscurity IV – recline (north devon earth pigments on board) © peter ward 2017drawing on obscurity V – the light over lundy (north devon earth pigments on board) © p ward 2017drawing on obscurity VI – i close my eyes (north devon earth pigments on board) © peter ward 2017drawing on obscurity VII – moorland (north devon earth pigments on board) © peter ward 2017drawing on obscurity VIII – marrakech (north devon earth pigments on board) © peter ward 2017drawing on obscurity IX – a conversation between flowers (north devon earth pigments on board) © peter ward 2017sequential II (earth pigments on canvas) © p ward 2017jump! (earth pigments on canvas) © p ward 2017offcuts in an offcut frame – displacement (earth pigments on wood) © p ward 2017drawing on obscurity X – race (north devon earth pigments on board) © peter ward 2017The work on show at eARTh studio during Ilfracombe Art Trail 2017 © eARTh 2017

Peter Doig: “We don’t always have to know what our painting is about”[i]

A recent visitor to our studio asked me to explain my work. I said I didn’t actually know what I was doing. That there was no particular symbolism invloved! I am not telling stories. Simply making marks with and on the materials I use. (She was horrified and went on to tell how she only liked pictures of horses!!??) However, I am interested in making things with the materials I gather – natural materials or things we might otherwise throw away – learning about them and how we can put different things together through making. I enjoy nature, history, geology. I like not knowing how a work may turn out. I am inspired by the results and where they may lead me next.

May they fill you with awe and wonder too :-)…

© Peter Ward 2017


[i] http://www.huffingtonpost.com/entry/peter-doig-we-dont-always-have-to-know-what-our-painting_us_58e4b461e4b09deecf0e1bd0?ncid=engmodushpmg00000004

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