please accept my resignation 131016

 

some things I have seen, done and made that have made me think, feel and smile over the last few months…

“Reading true literature [Nan Shepherd] reflected, ‘it’s as though you are standing experiencing and suddenly the work is there, bursting out of its own ripeness . . . life has exploded, sticky and rich and smelling oh so good. And . . . that makes the ordinary world magical – that reverberates/illuminates.’ ” taken from Landmarks by Robert Macfarlane.

folded-paper-little-family-special-gifts-friendship-earth-pigments-on-canvas-p-ward-2016folded paper; little family; special gifts; friendship (earth pigments on canvas) © p ward 2016

wooden-tray-full-of-found-things-earth-2016wooden tray full of found things © eARTh 2016

the-exmoor-best-exmoor-zoological-gardens-p-ward-2016‘the exmoor beast’!?, exmoor zoological gardens © p ward 2016

crow-point-p-ward-2016crow point © p ward 2016

sycamore-p-ward-2016sycamore © p ward 2016

drawing-a-line-coast-to-coast-with-skedge-13916-earth-2016drawing a line, coast to coast with skedge 13916 © eARTh 2016

learning-to-draw-i-p-ward-2016learning to draw I © p ward 2016

learning-to-draw-ii-iii-iv-earth-2016learning to draw II, III, IV © eARTh 2016

towan-beach-roseland-peninsula-bottallack-mines-st-just-cornwall-p-ward-2016towan beach, roseland peninsula; bottallack mines, st just, cornwall © p ward 2016

west-somerset-railway-bicclescombe-park-shed-ilfracombe-earth-2016west somerset railway; bicclescombe park shed, ilfracombe © eARTh 2016

painted-palette-earth-pigments-on-wood-earth-2016painted palette (earth pigments on wood) © eARTh 2016

offcuts-in-an-offcut-frame-palette-mask-earth-pigments-on-wood-p-ward-2016offcuts in an offcut frame – palette; mask (earth pigments on wood) © p ward 2016

figure-offcuts-in-an-offcut-frame-viii-earth-pigments-on-wood-building-blocks-p-ward-2016figure; offcuts in an offcut frame – VIII (earth pigments on wood); building blocks © p ward 2016

resignation-definitiondefinition from google search

with special thanks to francesca, noah, agnes, family and friends for your love, support and companionship 🙂

© p ward/eARTh 2016


home: research, research and inspiration – early 2016 update

water, air and earth

sticks and stones

and, somewhere, fire

.

as the year unfolds

to a new life

within us

.

and you grow

and hold us rapt

in your emphatic personality

.

we deliberate upon Nature

each delicate

and deafening response

.

there is red and black and grey and green

dirt to some

riches to others

.

grinding away

what is left

to leave

.

more

and more

and more

.

we play

and learn

we play together

.

knees

teeth

home

.

home- county clare, Ireland © p ward 2016home: County Clare, Ireland © p ward 2016

The year began with family and friends in a rainswept County Clare, Ireland, my home for 10 years. Many of the places I wanted to revisit and share were beneath meters of water. Things, of course, had changed for better and worse but the spirit of the land still shone through.

home- lake vyrnwy, powys, wales © p ward 2106home: Lake Vyrnwy, Powys, Wales © p ward 2106

Then more mountains and lakes, family and friends, as my brother’s path shifts to the Welsh borders, an area I have not visited before but will visit again. This time snow, ice, fog and sunshine accompanied my journey. Lake Vyrnwy reservoir submerged a Welsh village to supply England with water.

home- Ilfracombe, winter 2016 © p ward 2016home: Ilfracombe, winter 2016 © p ward 2016

And at ‘home’ the winter lashes the coastline, reshaping and reforming. Ilfracombe was originally named after King Alfred and was gifted to two of his sons as a sheltered harbour on the western approaches to his kingdom. Before then an iron-age hill fort overlooked the natural harbour from, what is now, Hillsborough nature reserve. This part of the North Devon coast is formed predominantly from Devonian slates, sandstones and shales and boasts some of the highest sea cliffs in England. We have a new studio here that we hope will provide a base for our creative endeavours and space for others to enjoy.

home- Barnstaple Bay and Hele, North Devon © p ward 2016home: Barnstaple Bay and Hele, North Devon © p ward 2016

home- Holdstone Down, Combe Martin, North Devon © p ward 2016home: Holdstone Down, Combe Martin, North Devon © p ward 2016

let’s talk dirt! (White Moose Gallery, CCANW, Heritage Lottery Fund, Bideford Pottery, IGI Ltd, Roger Cockram)let’s talk dirt! (White Moose Gallery, CCANW, Heritage Lottery Fund, Bideford Pottery, IGI Ltd, Roger Cockram)

In May, as part of the CCANW Soil Culture project, I led a walk and talk with the White Moose Gallery and supported by the Heritage Lottery Fund, to celebrate North Devon’s relationship with its earth resources. “Let’s Walk and Talk Dirt!” involved local potters, Harry Juniper and Roger Cockram, geologists Chris Cornford and Andrew Green, and soil scientist David Hogan to present some different perspectives about our local resources. Participants really enjoyed the interdisciplinary nature of the events but were frustrated by the lack of time to explore the subject matter in more depth. We are now working towards a ‘summer school’ to further explore North Devon’s potteries, pigments, rocks and soils.

Sidmouth, East Devon © p ward 2106Sidmouth, East Devon © p ward 2106

Jacob’s Ladder beach, Sidmouth, East Devon © p ward 2016Jacob’s Ladder beach, Sidmouth, East Devon © p ward 2016

The Thelma Hulbert Gallery, Honiton, East Devon invited me in May, to run painting with earth workshops to accompany their ongoing Soil Culture exhibitions. The first workshop introduced the ideas to a small group of partially sighted children from the WESC Foundation, providing a space for us to enjoy the more than visual experience of the process and materials. I was also excited to be exploring a new area of the country, encouraging me to find new pigments and learn about their geology and history. The second workshop, for artists, included an invigorating morning field trip to Jacob’s Ladder beach in Sidmouth to gather small quantities of the iron-rich red and green mudstones, and whatever else took our fancy, followed by an afternoon of furious experimentation grinding and binding a selection of pigments with a variety of mediums. It was great to meet some new faces in such a lively and friendly gallery.

home- Wessex – Branscombe beach, East Devon, Hardy country (chalk and flint) © p ward 2016home: Wessex – Branscombe beach, East Devon; Hardy country (chalk and flint) © p ward 2016

Something that did surprise me was the presence of chalk in the landscape of East Devon. Having been raised in Portsmouth I am familiar with the chalk and flint of the South Downs and Isle of Wight but wasn’t aware of it so far west along the coast. The sedimentary Cretaceous beds at Beer, that I saw from Branscombe beach during a day of research, lie above Upper Greensand that then rests on the more familiar Mercian Triassic red mudstones of South Devon. Apparently there is an ‘unconformity’ here in that the interceding Jurassic layer is missing, the area being land during that era. The nodules of flint and chert present in the Chalk and Upper Greensand that make up the beaches are also apparent in the local architecture creating further similarities to the South Downs and other Chalk areas across Europe.

One such region, that I also feel an affinity with through my ancestry and boyhood cycling adventures, is the Wessex Downs. The ancient country of Wessex encompassed Hampshire, west to the Cornish borders, and Wiltshire, Dorset, Devon and Somerset. In more recent times its character and characters have formed the backdrop for the literary works of Thomas Hardy. I was recently contacted by a research fellow from Exeter University to collaborate in a project to explore the value to health and well being of arts-based environmental workshops. His previous research looked at the work of Thomas Hardy in relation to the Wessex landscape. We are now waiting to see if our initial funding application has been successful before embarking on a major AHRC project around a similar theme. It has been fascinating working with a complete stranger towards a shared goal.

Hele community group sculpture proposal sketches © eARTh 2016Hele community group sculpture proposal sketches © eARTh 2016

Meanwhile, closer to home again we have been working with the local community towards re-landscaping an unsightly patch of ground behind the bus shelter in our village. It was good to be invited, to meet some more of our neighbours, to learn about the history of the village and to think how to we might alter such a space to celebrate the area. It was recently discovered that the area is owned (rather than it being public space) which has put the project back somewhat!?

sketches in wood and stone © p ward 2016sketches in wood and stone © p ward 2016

And back in the studio I have been enjoying putting together some new work (see previous post) using old offcuts of wood, old pots of paint and some new pigments. After 9 months I finally feel like I am settling in, enjoying the space and making something new, as well as finding time for my other interests and beautiful family. With a new arrival imminent we’ll be working hard to keep it up…

jacob’s ladder, earth pigments on canvas © p ward 2016jacob’s ladder, earth pigments on canvas © p ward 2016

corn mill close, masonry paint on painted board © p ward 2016corn mill close, masonry paint on painted board © p ward 2016

offcuts – sketch in wood © p ward 2016offcuts – sketch in wood © p ward 2016

© P Ward 2016


a celebration 13116

.

at times

i really do not get Art

its place in my life

or the wider world around me

.

seemingly superfluous pedantic intellectual bickering

over aesthetic form and function

for some fashion or other

in the face of pressing global issues

.

not quite big enough

or loud enough

specific or far reaching enough

to make a difference

(although every whisper counts, I know)

.

baggy point from woolacombe sands, north devon © p ward 2015baggy point from woolacombe sands, north devon © p ward 2015

.

without it (some will argue)

life would be just an incessant instinctive struggle and movement

towards food, shelter and a mate

for nurture within our own nature

to survive within this wildness

.

and

for everybody else

this is quite enough

.

our innate beauty

our diverse evolving nature

our ecologically defined behaviour

in such abundant splendour

and complex contradiction

.

humbly seeking our place

within the heave and flow

of ever shifting forces

.

at times

I do not get art

but thank it once again

for bringing me to these conclusions

.

new year, east clare, ireland © p ward 2016new year, east clare, ireland © p ward 2016

© p ward 2016


Soil Culture: The Publication

The Soil Culture project led by CCANW and RANE will be drawing to a close soon with its final exhibition at Peninsula Arts in Plymouth from 16th January to 19th March 2016[i]. The project as has been documented in a 120-page publication with essays by prominent soil scientists and soil artists, along with illustrated accounts of residencies and other activities enjoyed during the 3-years.

soil culture – the publication (cover), images © p ward 2015soil culture – the publication (cover), images © p ward 2015

My involvement in the project began when I met CCANW director Clive Adams in 2009. I presented him with six small glass pots of ground earth pigments from North Devon. He suggested I meet soil artist Dr Daro Montag at Falmouth University who was just starting an MA Art & Environment Course, which I subsequently attended.

north devon landscape (ground earth pigments) © p ward 2008north devon landscape (ground earth pigments) © p ward 2008

I was invited to join the Soil Culture project development team in 2011. My contribution has also involved workshops, exhibitions and some of the imagery used to promote and support it. I was recently asked to write a short essay for the publication and retake a series of photographs of ground and raw earth pigments to be used for the cover and chapter/section headings…

Soil Culture - The Publication images © p ward 2015raw and ground earth pigments for soil culture publication © p ward 2015

The publication is available from http://www.ccanw.co.uk/ at a price of £15 per copy.

 

© p ward 2016

[i] Peninsula Arts Gallery, Roland Levinsky Building, Plymouth University, PL4 8AA.
Open Monday-Friday 10am-5pm, Saturday 11am-4pm

 


eARTh has MOVED…

MIDWINTER OPEN STUDIO

Saturday 28th and Sunday 29th November, 1100-1600

After an exciting first year, including a great exhibition at the White Moose Gallery, a number of successful workshops and OPEN STUDIOS and participation in other international projects, eARTh has relocated to a smaller, more rural space at Hele Corn Mill where we (myself and partner Francesca Owen) will be continuing our work with local earth pigments and plant dyes.

eARTh at Hele Corn Mill hele corn mill and eARTh studio © f owen 2015

Hele Corn Mill dates from 1525 and is a unique working watermill in North Devon. Located just 300m from stunning Hele Bay beach just east of Ilfracombe, a visit to the mill makes a perfect family visit. Opposite the mill is the Miller’s Wife Tearoom, where you can relax and enjoy a traditional cream tea or a slice of one of many delicious cakes, which are homemade every day. For directions, parking and opening times please visit www.helecornmill.com.

You are warmly invited to a pre-Christmas opening – a chat, some nibbles, a glass of wine and some art. If you cannot make the opening please feel free to visit anytime. eARTh will be open on a regular basis along with workshops, exhibitions and events throughout the year and is looking forward to seeing you soon.

For more information please visit www.earthnorthdevon.wix.com/arts

© P Ward 2015


Saying hello to the Faeries…

One week on the Isle of Man, 2015

It is nearly thirty years since I last visited Ellan Vannin – the Manx name for the Isle of Man. Situated in the middle of the emerald waters of the Irish Sea, within sight of England, Ireland, Scotland, Wales and Heaven, so it is said, this self-governed commonwealth nation is probably best known for the yearly motorcycle TT race. For me, as an idealistic teenager surrounded by radical older students, it became a place of great significance in my own spiritual development. For the Celts it was the centre of the Faerie Empire, the royal thrones sitting atop the second highest mountain, South Barrule. Even today, respect for the other realms is still very much in evidence. Beyond this the island, once you have accepted the proliferation of lycra-clad outdoor pursuits, the squeals of cliff-leaping coasteerers and the constant stream of motorcyclists, is still a peaceful haven with stunning views and coastline, a place of folklore, local heritage and marine and avian wildlife.

manx dog by unknown artist, fired clay; carpets; crushed quartz pebbledash, Port Erin © p ward 2015Manx dog by unknown artist, fired clay; carpets; crushed quartz pebbledash, Port Erin © p ward 2015

Port Erin garden I-IV © p ward 2015Port Erin garden I-IV © p ward 2015

malachite and sea glass, Port Erin © p ward 2015malachite and sea glass, Port Erin © p ward 2015

found stick figure, Silverdale Glen © p ward 2015found stick figure, Silverdale Glen © p ward 2015

Mull Tomb Circle; Lochtan sheep; Manx thatch, Cregneash © p ward and f owen 2015Mull Tomb Circle; Lochtan sheep; Manx thatch, Cregneash © p ward and f owen 2015

The Chasms I-III, Port St Mary © p ward 2015The Chasms I-III, Port St Mary © p ward 2015

The Sugarloaf; Spanish Head, Port St Mary © p ward 2015The Sugarloaf; Spanish Head, Port St Mary © p ward 2015

Ramsey I-III © p ward 2015Ramsey I-III © p ward 2015

standing stones, Ramsey © p ward 2015standing stones, Ramsey © p ward 2015
discarded herrings, Peel; discarded scallop shells; bracken, Fleshwick © p ward 2015discarded herrings, Peel; discarded scallop shells; bracken, Fleshwick © p ward 2015

full moon, Port Erin © p ward 2015full moon, Port Erin © p ward 2015

from South Barrule © f owen 2015from South Barrule © f owen 2015

heather bundle, South Barrule © p ward 2015heather bundle, South Barrule © p ward 2015

from Bradda Head I-II © p ward 2015from Bradda Head I-II © p ward 2015

from Bradda Head III © p ward 2015from Bradda Head III © p ward 2015

Thank you to my family for treating us to this short holiday and this time to restore my connection to those things that inspire my living.

special people, IOM © p ward 2015special people, IOM © p ward 2015

© P Ward 2015


of black and white 15815

3 peregrines, hillsborough © p ward 20153 peregrines, hillsborough © p ward 2015

of black and white i have become acquainted

shifting material tonality contextually alighting itself in emotion

the falcons’ tumbling play from the high hill cliff top nearby

between myself and the evening sun, i became blind

your overarching display tantamount to simple exquisite perfection

as well timed as it was

.

there is black

and there is black

.

there is white

and white

.

a way to describe

imperfectly

a fleeting perception of this place and that

of an occurrence personally experienced

a mere scribble by comparison

a fumbling juxtaposition

in the face of complexity

.

it will just have to do

it is all i have

beyond itself here

.

i do not wish to be spoon-fed

the spoon is soiled with black

.

a black arches awaits nightfall on white bathroom tiles

.

i have had another 5 minutes of fame

when will it end?

fossil tree fern stem and silver spoon used for digging bideford black, greencliff © p ward 2015fossil tree fern stem and silver spoon used for digging bideford black, greencliff © p ward 2015

black arches, ilfracombe © p ward 2015black arches, ilfracombe © p ward 2015

© P Ward 2015