no light no colour no more
Posted: February 25, 2019 Filed under: eARTh | Tags: Aesthetics, art and science, Arte Povera, Arts, arts research, Cornwall, earth pigments, eco art, ecopsychology, Environmental art, Feeling, indigenous culture, painting, Pigment, Visual arts 2 Commentsfurther material responses to existential emergence, crisis and change
I was reminded recently, while gazing fleetingly into the shimmering turquoise green blue ocean here in West Cornwall, of my early art training based in the classical understanding of colour. colour as light. a systematic mixing together of homogenous materials to represent the colours that we observe in Nature from a set of ‘primaries’: reds, blues and yellows. no black. white in moderation. of hue.
iron board, Praa Sands, Cornwall (Cornish earth pigments on rock) © p ward 2019
our perception of colour, of light and shade, and hence of depth, size, form and materiality, is sometimes explained as the processing and communication of visual information created by the reflection, refraction and absorption of light in relation to materials. working with earth pigments has revealed ‘colour’ as more than just a visual ‘scientific’ process of perception. it is more a holistic appreciation of material presence which encompasses not just colour but texture, smell and a provenance of time and place, of formation and decay, of ecology, history and Nature itself.
we may often associate earth colours with a range of browns, reds and yellows. with this latest set of paintings I have been enjoying a more subtle selection of greys, greens, mauves and whites that I have found, gathered and mixed near my home.
I could say that the stories they tell are unique expressions of their own experience that I have been privileged to bring into contemporary form, but maybe that is for you to decide…
aspects of landscape and love – today it snowed (Cornish earth pigments on board; 51x51cm) © p ward 2019
the beautiful things that people say when they are together (Cornish earth pigments on board; 25x25cm) © p ward 2019
facing up to facing up to (Cornish earth pigments on board; 31x33cm) © p ward 2019
rearranging the furniture (Cornish earth pigments on board; 35x35cm) © p ward 2019
like chopping onions in a northwesterly gale (Cornish earth pigments on board; 56x38cm) © p ward 2019
stones that stand in fields with swans and cows and geese: penwith (Cornish earth pigments on board; 70x68cm) © p ward 2019
simple communication here (Cornish earth pigments on card; 61x51cm) © p ward 2019
house of power (Cornish earth pigments on canvas; 40x50cm) © p ward 2019
nondescript (Cornish earth pigments on board; 27x26cm) © p ward 2019
turning a new leaf with foxes on my mind (Cornish earth pigments on canvas; 61x51cm) © p ward 2019
© P Ward 2019
expressions of an intimate ecology 
Hi Peter
I get that grey, sludge colour from one of my earth pigments – it looks great in ‘House of Power’ – will have to try again! Gorgeous colours from Cornwall!
Celia
Hi Celia and thanks. The grey comes from an old copper mine dump and is essentially made up of waste sulphides so smells strongly of rotten eggs! not so pleasant to use but a great colour 😉