Painting with Earth – Cornwall: new home, new worksPosted: November 30, 2018
despite the wind
despite the weather
despite the winter
despite the sense of vulnerability
this raw and new found exposure
despite the twisting and turmoil of our times
despite it all
this earth still shines
Before I embark on a new phase of experimentation, combining different binders with the Cornish pigments, I would like to share a few paintings that I have made in my new home – a caravan on a dairy farm in the coastal hills of west Penwith, Cornwall.
Here, I am surrounded by the historic land markings of the ancient peoples who populated this extremity of the British Isles. Stone walls, reportedly demarcating some of the oldest working field networks in the world, built 5000 years ago. Iron age hill forts, burial mounds, settlements and wells set in the denuded coastal wasteland of heath and moor. It is at times bleak. After the rain and wind that lashes fresh from the vast Atlantic ocean, the colours of autumn shine. The constantly changing hues of the blue and grey and turquoise sea. Rainbows sitting in our laps. The sky heavy and clear and dark and brooding. Salt water permeating. The animals are exposed by their hunt for food, by the lack of cover afforded by the stripped land. It is a place of spirit and history and life, right now.
I am slowly learning to listen to the language of the colours here. The earth pigments, their qualities, their sources are unfamiliar. New to me. They are similar in colour to those of North Devon, that I have been using for a long time but very different in other ways. Their formation. Their nature. They have not been part of my own story, until now. The marks and stories they suggest are gradually revealing themselves. Their relationships unfolding. Their dynamic. And despite my attempts at integrity to their provenance and the spirit of this place in which I find myself, it is the freedom of my children’s paintings and drawings that are inspiring me…
Professionally, I am working on an Arts Council National Lottery Project Fund proposal in association with Geevor Tin Mine to research the creative and educational potential of the pigments. Through recent projects and contact with the staff at the Mine I have started to appreciate and become really excited by the rich historical, geological, chemical and social provenance that the colours carry. After the far-reaching and ongoing success that Painting with Earth – North Devon has brought, let’s hope I will get some real financial support to enable the continuation of this rich seam of work ;-).
© P Ward 2018