simple tasks

.

as an artist experiencing cessations in the creative flow

or an utter lack of enthusiasm for making from time to time

it is heartening to experience how the most simple actions

no matter how difficult they may sometimes be

like folding and tearing paper

grinding some local earth pigments

and painting basic patterns

(with the intention of creating a set of cards for sale)

can enliven my spirits

get the mind ticking again

and lead to a bounteous plethora of new ideas and directions

earth dots (north devon pigments on paper) © p ward 2016earth dots (north devon pigments on paper) © p ward 2016

whether it is something particularly inspiring about the whole process

of collecting pigments in the landscape and making paint

or whether it is evident in all forms of simple creative actions

i’m not sure

but it feels good

and reminds me of how art has enriched and inspired my life for so many years

earth lines (north devon pigments on paper) © p ward 2016earth lines (north devon pigments on paper) © p ward 2016

i like my work

i like what I make

and i am eternally grateful to the universe for offering me these gifts:

the ability to perceive beauty

the aptitude to make beautiful things

and the opportunity to inspire others to do the same…

painting with eARTh day, Hele Corn Mill 15216, images courtesy Sophie Twisspainting with eARTh day, Hele Corn Mill 15216, images courtesy Sophie Twiss

© p ward 2016


valentine

valentines card 2016valentine (coloured pencil on folded paper) © p ward 2016

.

with all the love

in the world

our future yet to unfurl

the clouds above

revealing beauty

.

for Francesca 14216

.

© p ward 2016


back to basics

5 small earth paintings

Beaten by both the need for storage space for my work and, hopefully, a more commercially viable product I have resorted, and returned, to making a number of small earth pigment paintings on paper.

Originally I wanted to explore the layering and removal of water-based paint, similar to my past use of watercolour, using earth pigments. This worked well for one piece but I soon strayed back to the more recent pattern approach that working with earth pigments has inspired.

My method, as in the past, allows the pigments, the colours, textures and forms, to suggest and reveal the form of the finished piece. It can often take a while for the painting to evolve, employing a variety of accumulated intuitive, mark making and aesthetic decisions and skills to move forward. Working in this way is always fascinating, offering outcomes beyond my present understandings.

back to basics 1 – earth pigment dreaming (earth pigments on watercolour paper) © p ward 2015back to basics 1 – earth pigment dreaming (earth pigments on watercolour paper) © p ward 2015

back to basics 2 – black form dreaming (earth pigments on watercolour paper) © p ward 2015back to basics 2 – black form dreaming (earth pigments on watercolour paper) © p ward 2015

back to basics 3 – joyful exchanges (earth pigments on watercolour paper) © p ward 2015back to basics 3 – joyful exchanges (earth pigments on watercolour paper) © p ward 2015

back to basics 4 –  unctuous burnt umber (earth pigments on watercolour paper) © p ward 2015back to basics 4 – unctuous burnt umber (earth pigments on watercolour paper) © p ward 2015

back to basics 5 – grey and cream earth (earth pigments on watercolour paper) © p ward 2015back to basics 5 – grey and cream earth (earth pigments on watercolour paper) © p ward 2015

Each painting measures 21x21cm and is on 300gsm watercolour paper. The pigments, a selection of six hand ground, locally gathered colours from North Devon, have been simply mixed with water and then fixed with pastel fixative. I am now looking forward to making more simple paintings on paper of different sizes to develop this approach.

The original paintings are available for sale online or later in the year at our new studio space at Hele Corn Mill, near Ilfracombe in North Devon.

For more information please contact me at earth.northdevon@gmail.com

© P Ward 2016


a celebration 13116

.

at times

i really do not get Art

its place in my life

or the wider world around me

.

seemingly superfluous pedantic intellectual bickering

over aesthetic form and function

for some fashion or other

in the face of pressing global issues

.

not quite big enough

or loud enough

specific or far reaching enough

to make a difference

(although every whisper counts, I know)

.

baggy point from woolacombe sands, north devon © p ward 2015baggy point from woolacombe sands, north devon © p ward 2015

.

without it (some will argue)

life would be just an incessant instinctive struggle and movement

towards food, shelter and a mate

for nurture within our own nature

to survive within this wildness

.

and

for everybody else

this is quite enough

.

our innate beauty

our diverse evolving nature

our ecologically defined behaviour

in such abundant splendour

and complex contradiction

.

humbly seeking our place

within the heave and flow

of ever shifting forces

.

at times

I do not get art

but thank it once again

for bringing me to these conclusions

.

new year, east clare, ireland © p ward 2016new year, east clare, ireland © p ward 2016

© p ward 2016


Soil Culture: The Publication

The Soil Culture project led by CCANW and RANE will be drawing to a close soon with its final exhibition at Peninsula Arts in Plymouth from 16th January to 19th March 2016[i]. The project as has been documented in a 120-page publication with essays by prominent soil scientists and soil artists, along with illustrated accounts of residencies and other activities enjoyed during the 3-years.

soil culture – the publication (cover), images © p ward 2015soil culture – the publication (cover), images © p ward 2015

My involvement in the project began when I met CCANW director Clive Adams in 2009. I presented him with six small glass pots of ground earth pigments from North Devon. He suggested I meet soil artist Dr Daro Montag at Falmouth University who was just starting an MA Art & Environment Course, which I subsequently attended.

north devon landscape (ground earth pigments) © p ward 2008north devon landscape (ground earth pigments) © p ward 2008

I was invited to join the Soil Culture project development team in 2011. My contribution has also involved workshops, exhibitions and some of the imagery used to promote and support it. I was recently asked to write a short essay for the publication and retake a series of photographs of ground and raw earth pigments to be used for the cover and chapter/section headings…

Soil Culture - The Publication images © p ward 2015raw and ground earth pigments for soil culture publication © p ward 2015

The publication is available from http://www.ccanw.co.uk/ at a price of £15 per copy.

 

© p ward 2016

[i] Peninsula Arts Gallery, Roland Levinsky Building, Plymouth University, PL4 8AA.
Open Monday-Friday 10am-5pm, Saturday 11am-4pm

 


eARTh has MOVED…

MIDWINTER OPEN STUDIO

Saturday 28th and Sunday 29th November, 1100-1600

After an exciting first year, including a great exhibition at the White Moose Gallery, a number of successful workshops and OPEN STUDIOS and participation in other international projects, eARTh has relocated to a smaller, more rural space at Hele Corn Mill where we (myself and partner Francesca Owen) will be continuing our work with local earth pigments and plant dyes.

eARTh at Hele Corn Mill hele corn mill and eARTh studio © f owen 2015

Hele Corn Mill dates from 1525 and is a unique working watermill in North Devon. Located just 300m from stunning Hele Bay beach just east of Ilfracombe, a visit to the mill makes a perfect family visit. Opposite the mill is the Miller’s Wife Tearoom, where you can relax and enjoy a traditional cream tea or a slice of one of many delicious cakes, which are homemade every day. For directions, parking and opening times please visit www.helecornmill.com.

You are warmly invited to a pre-Christmas opening – a chat, some nibbles, a glass of wine and some art. If you cannot make the opening please feel free to visit anytime. eARTh will be open on a regular basis along with workshops, exhibitions and events throughout the year and is looking forward to seeing you soon.

For more information please visit www.earthnorthdevon.wix.com/arts

© P Ward 2015


Soil Culture: DEEP ROOTS

Falmouth Art Gallery 19 September – 21 November 2015,

and at Peninsula Arts, Plymouth University 16 January – 19 March 2016

Having been involved with the development of the Soil Culture project since 2011 it was a great honour to be invited to be part of its final exhibition alongside such highly respected names in the world of environmental art as herman de vries, Ana Mendieta, Richard Long, Mel Chin, Chris Drury, David Nash and Andy Goldsworthy, to name but a few. The show aims to express the way artists have worked with and about soil and ranges from simple soil rubbings and paintings, alongside sculptural installations and bioglyphs (a photographic process using microbes) to soil remediation projects and large-scale earth works. It is also the perfect culmination to the long and distinguished career of CCANW’s enthusiastic director Clive Adams.

deep roots - earth pigment display case contents (© p ward & f owen 2015)deep roots – earth pigment display case contents (© p ward & f owen 2015)

My own contribution to the exhibition was an earth pigment painting completed in 2009, as well as installation of three glass top display cases showing different aspects of soil art including pigments, soil science and soil biology to help contextualize the other work in the exhibition. Helping install the exhibition reminded me of the attention to detail necessary that makes work of this caliber really shine – it took 3 of us over 6 hours to hang herman de vries’ grid of 16 soil rubbings and a team of 8 a week in all to hang the show, not to mention the years of preparation involved in bringing all the work together!!

soil culture – deep roots (Claire Pentecost) exhibition view, courtesy CCANW 2015soil culture – deep roots (Claire Pentecost) exhibition view, courtesy CCANW 2015

deep roots - rubbing shoulders with herman de vries (© p ward 2015)deep roots – rubbing shoulders with herman de vries (© p ward 2015)

potential II, earth pigments on paper © p ward 2009potential II, earth pigments on paper © p ward 2009

soil culture – deep roots, exhibition view, courtesy CCANW 2015soil culture – deep roots, exhibition view, courtesy CCANW 2015

© P Ward 2015

 

 


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