some things I have seen, done and made that have made me think, feel and smile over the last few months…
“Reading true literature [Nan Shepherd] reflected, ‘it’s as though you are standing experiencing and suddenly the work is there, bursting out of its own ripeness . . . life has exploded, sticky and rich and smelling oh so good. And . . . that makes the ordinary world magical – that reverberates/illuminates.’ ” taken from Landmarks by Robert Macfarlane.
drawing a line, coast to coast with skedge 13916 © eARTh 2016
with special thanks to francesca, noah, agnes, family and friends for your love, support and companionship 🙂
© p ward/eARTh 2016
water, air and earth
sticks and stones
and, somewhere, fire
as the year unfolds
to a new life
and you grow
and hold us rapt
in your emphatic personality
we deliberate upon Nature
and deafening response
there is red and black and grey and green
dirt to some
riches to others
what is left
we play together
The year began with family and friends in a rainswept County Clare, Ireland, my home for 10 years. Many of the places I wanted to revisit and share were beneath meters of water. Things, of course, had changed for better and worse but the spirit of the land still shone through.
Then more mountains and lakes, family and friends, as my brother’s path shifts to the Welsh borders, an area I have not visited before but will visit again. This time snow, ice, fog and sunshine accompanied my journey. Lake Vyrnwy reservoir submerged a Welsh village to supply England with water.
And at ‘home’ the winter lashes the coastline, reshaping and reforming. Ilfracombe was originally named after King Alfred and was gifted to two of his sons as a sheltered harbour on the western approaches to his kingdom. Before then an iron-age hill fort overlooked the natural harbour from, what is now, Hillsborough nature reserve. This part of the North Devon coast is formed predominantly from Devonian slates, sandstones and shales and boasts some of the highest sea cliffs in England. We have a new studio here that we hope will provide a base for our creative endeavours and space for others to enjoy.
In May, as part of the CCANW Soil Culture project, I led a walk and talk with the White Moose Gallery and supported by the Heritage Lottery Fund, to celebrate North Devon’s relationship with its earth resources. “Let’s Walk and Talk Dirt!” involved local potters, Harry Juniper and Roger Cockram, geologists Chris Cornford and Andrew Green, and soil scientist David Hogan to present some different perspectives about our local resources. Participants really enjoyed the interdisciplinary nature of the events but were frustrated by the lack of time to explore the subject matter in more depth. We are now working towards a ‘summer school’ to further explore North Devon’s potteries, pigments, rocks and soils.
The Thelma Hulbert Gallery, Honiton, East Devon invited me in May, to run painting with earth workshops to accompany their ongoing Soil Culture exhibitions. The first workshop introduced the ideas to a small group of partially sighted children from the WESC Foundation, providing a space for us to enjoy the more than visual experience of the process and materials. I was also excited to be exploring a new area of the country, encouraging me to find new pigments and learn about their geology and history. The second workshop, for artists, included an invigorating morning field trip to Jacob’s Ladder beach in Sidmouth to gather small quantities of the iron-rich red and green mudstones, and whatever else took our fancy, followed by an afternoon of furious experimentation grinding and binding a selection of pigments with a variety of mediums. It was great to meet some new faces in such a lively and friendly gallery.
Something that did surprise me was the presence of chalk in the landscape of East Devon. Having been raised in Portsmouth I am familiar with the chalk and flint of the South Downs and Isle of Wight but wasn’t aware of it so far west along the coast. The sedimentary Cretaceous beds at Beer, that I saw from Branscombe beach during a day of research, lie above Upper Greensand that then rests on the more familiar Mercian Triassic red mudstones of South Devon. Apparently there is an ‘unconformity’ here in that the interceding Jurassic layer is missing, the area being land during that era. The nodules of flint and chert present in the Chalk and Upper Greensand that make up the beaches are also apparent in the local architecture creating further similarities to the South Downs and other Chalk areas across Europe.
One such region, that I also feel an affinity with through my ancestry and boyhood cycling adventures, is the Wessex Downs. The ancient country of Wessex encompassed Hampshire, west to the Cornish borders, and Wiltshire, Dorset, Devon and Somerset. In more recent times its character and characters have formed the backdrop for the literary works of Thomas Hardy. I was recently contacted by a research fellow from Exeter University to collaborate in a project to explore the value to health and well being of arts-based environmental workshops. His previous research looked at the work of Thomas Hardy in relation to the Wessex landscape. We are now waiting to see if our initial funding application has been successful before embarking on a major AHRC project around a similar theme. It has been fascinating working with a complete stranger towards a shared goal.
Meanwhile, closer to home again we have been working with the local community towards re-landscaping an unsightly patch of ground behind the bus shelter in our village. It was good to be invited, to meet some more of our neighbours, to learn about the history of the village and to think how to we might alter such a space to celebrate the area. It was recently discovered that the area is owned (rather than it being public space) which has put the project back somewhat!?
And back in the studio I have been enjoying putting together some new work (see previous post) using old offcuts of wood, old pots of paint and some new pigments. After 9 months I finally feel like I am settling in, enjoying the space and making something new, as well as finding time for my other interests and beautiful family. With a new arrival imminent we’ll be working hard to keep it up…
© P Ward 2016
The Soil Culture project led by CCANW and RANE will be drawing to a close soon with its final exhibition at Peninsula Arts in Plymouth from 16th January to 19th March 2016[i]. The project as has been documented in a 120-page publication with essays by prominent soil scientists and soil artists, along with illustrated accounts of residencies and other activities enjoyed during the 3-years.
My involvement in the project began when I met CCANW director Clive Adams in 2009. I presented him with six small glass pots of ground earth pigments from North Devon. He suggested I meet soil artist Dr Daro Montag at Falmouth University who was just starting an MA Art & Environment Course, which I subsequently attended.
I was invited to join the Soil Culture project development team in 2011. My contribution has also involved workshops, exhibitions and some of the imagery used to promote and support it. I was recently asked to write a short essay for the publication and retake a series of photographs of ground and raw earth pigments to be used for the cover and chapter/section headings…
The publication is available from http://www.ccanw.co.uk/ at a price of £15 per copy.
© p ward 2016
[i] Peninsula Arts Gallery, Roland Levinsky Building, Plymouth University, PL4 8AA. Open Monday-Friday 10am-5pm, Saturday 11am-4pm
MIDWINTER OPEN STUDIO
Saturday 28th and Sunday 29th November, 1100-1600
After an exciting first year, including a great exhibition at the White Moose Gallery, a number of successful workshops and OPEN STUDIOS and participation in other international projects, eARTh has relocated to a smaller, more rural space at Hele Corn Mill where we (myself and partner Francesca Owen) will be continuing our work with local earth pigments and plant dyes.
Hele Corn Mill dates from 1525 and is a unique working watermill in North Devon. Located just 300m from stunning Hele Bay beach just east of Ilfracombe, a visit to the mill makes a perfect family visit. Opposite the mill is the Miller’s Wife Tearoom, where you can relax and enjoy a traditional cream tea or a slice of one of many delicious cakes, which are homemade every day. For directions, parking and opening times please visit www.helecornmill.com.
You are warmly invited to a pre-Christmas opening – a chat, some nibbles, a glass of wine and some art. If you cannot make the opening please feel free to visit anytime. eARTh will be open on a regular basis along with workshops, exhibitions and events throughout the year and is looking forward to seeing you soon.
For more information please visit www.earthnorthdevon.wix.com/arts
© P Ward 2015
an investigation in creative collaboration through painting
(in support of my/our latest exhibition in north devon)
Pete Ward and Francesca Owen
White Moose Gallery, Trinity Street, Barnstaple, Devon, EX32 8HX
13th June – 1st August 2015
“Art does not reproduce the visible but makes visible” Paul Klee
painting together is a project by North Devon based artists Pete Ward and Francesca Owen that brings together concepts of contemporary art (dialogical art, ecopsychology, environmental awareness and process-based interdisciplinary collaboration) with the more traditional practice of paint making and painting from locally occurring earth pigments. While Pete and Francesca continue to work on individual projects in their shared studio space and on more collaborative pieces together, they will also be inviting selected artists and members of the public to take part in group paintings/makings in various settings and locations, offering workshops and space for reflection and feedback about the project and process involved.
We have occasionally attempted to paint simultaneously, or in turns, on a surface with a fellow artist with varying results, the process often revealing the dynamic of egos and styles. In a similar way we are always responding to the relationship between ourselves as creative practitioners and the medium and environment with which we chose to work. Our experience of working with earth pigments has certainly led to a massive shift in practice both concerning our understanding and relationships with specific colours and the process involved. Earth pigments have also revealed a surprising freedom of expression and confidence seldom felt with more commercially available media – everyone just has a go! However, when working with other human beings a whole set of new questions and creative possibilities arise. For example, who owns the painting and to whom does credit for its creation lie? At what point do our egos let go and the collective subconscious come into play, if at all? How much are our individual actions influenced and dictated by the dynamic ecology of the group? Do guidelines and prescribed parameters help or hinder the process and then how and to what extent? Is the sense of satisfaction of making work together the same or different from working as an individual and how? The ‘art work’ of ancient history and indigenous cultures that we presently enjoy is rarely attributed to a sole artist, but more to a group, tribe or moment/phase in earth’s history. Do these works of cultural expression reach beyond the ego to a place of shared experience, of shared intention and mutual respect for the world we inhabit? painting together as a process will hopefully begin to reveal a sense of art more aligned to such sentiments than the overriding individuality of modern times.
Art may be seen as a space for creativity to take place, for time, ideas and materials to reveal thoughts and processes anew. Whether this is a painting, a poem, a film, a performance, activity or workshop is all the same. Art may be a catalyst for further creative action and thought rather than merely the product of such actions. It is not always for the artist to dictate any specific outcome but to provide and structure meaningful parameters within which we may engage, actively and imaginatively, with ourselves and the world. To make work with others, within a creatively conscious and reflective environment, is therefore an ideal situation to explore and reveal new and inspiring relationships, while also producing work beyond the ego of individual artists to represent a specific and relevant ecological dynamic.
‘These projects mark the emergence of a body of contemporary art practice concerned with collaborative, and potentially emancipatory, forms of dialogue and conversation. While it is common for a work of art to provoke dialogue among viewers this typically occurs in response to a finished object. In these projects conversation becomes an integral part of the work itself.’
(Grant Kester, 2005)
painting together will include opportunities to participate in communal art through workshops, artist’s talks and walks in the local environment as well as the exhibition at the White Moose Gallery in Barnstaple, North Devon. For more information see http://www.whitemoose.co.uk/site/painting-together/
- Working Together http://www.laurahudson.co.uk/blog/2015/6/13/working-together
- for the love of art https://dancingwithdyes.wordpress.com/2015/02/18/for-the-love-of-art/
- eARTh gown https://dancingwithdyes.wordpress.com/2015/04/07/the-beginning-of-making-an-earth-garment/
- TH&TW https://intim8ecology.wordpress.com/2012/06/29/the-home-the-world-a-report/
- the value of trees https://peterwardearth.carbonmade.com/projects/3915674#1
- 500 Children! https://intim8ecology.wordpress.com/2015/01/26/500-children/
- Art Trail / Art Trek https://intim8ecology.wordpress.com/2015/06/18/painting-with-earth-again-a-new-start/
The exhibition at White Moose Gallery has been organized in conjunction with the Centre for Contemporary Arts & the Natural World Soil Culture Project in the International Year of Soils 2015
- White Moose Gallery http://www.whitemoose.co.uk/site/painting-together/
- The Centre for Contemporary Art & the Natural World http://www.ccanw.co.uk/
- International Year of Soils 2015 http://www.fao.org/soils-2015/en/
P Ward 2015
NEWPORT COMMUNITY INFANT ACADEMY ARTSWEEK 2015 – Soil Culture*
I was recently invited to develop and lead environmental art activities for Newport Community School in Barnstaple, North Devon. The activities offered opportunities for staff and pupils to explore and celebrate our relationships with Nature, in particular soil and local earth pigments. The school has 500 pupils between 3 and 12 years old. A range of activities, including mud painting, making soil balls, bundles of sticks and leaf sorting, were presented to the teaching staff and then left for them to interpret. The communal artworks created were included in an exhibition for children and parents at the end of the week and a 6x1m earth pigment painting made by the whole school was left as legacy of the week’s hard work.
For me to develop such a large-scale event for so many was extremely daunting – how teachers do it day-in-day-out is amazing! It was incredible to see a painting evolve at the hands of 500 children, with only the most arbitrary guidelines, to become a vibrant expression of their experience and of North Devon itself. All participatory group paintings I have facilitated have somehow turned out well, but I have never tried it with 500 children before, and it is certainly a way of working I hope to pursue further in the future. The other simple activities, and reflection upon them, seemed to give children and staff space to try something new and also a space to learn through a different, more hands-on approach. The whole event has given me a great deal of satisfaction and confidence to tackle such events again in the future.
The exhibition was well attended by some most bemused but interested parents looking for their individual child’s work only to find it absorbed into the totality. The school, to their credit, thoroughly got behind both the educational and experiential value of art activities and also the contemporary conceptual nature of the final exhibition. Many thanks to Georgie Treanor for helping organize ARTSWEEK and to the children, teachers and staff for their patient and enthusiastic participation, and to Francesca for her support and help preparing the canvas.
soil . making paint . local history . geology . local resources . environment . culture
INTRODUCTION to TEACHERS PACK
“Art does not reproduce the visible, but makes visible” Paul Klee
Art is one way we learn about the world. The learning and creative processes are based on both sensory experience and reflection. The process and expression of such experience is what we know as Art. From the beginning of human history we have learnt about the world through experience of the materials that are available in our immediate surroundings. From this experience, and through trial and error, we have developed the technologies to enable us to survive. As communications and transport have become more versatile and far reaching we have often lost our knowledge and understanding of the local environment and the materials it provides.
In North Devon, as elsewhere, our culture and identity as a region has been based on the natural resources available. For many centuries the chief industries were mining, for iron and copper, and sheep farming wool on the steep hills and valleys. The soils have promoted a rich and varied agriculture from dairy and beef cattle to crops. Bideford and Barnstaple both had large potteries supplied by clay pits in Fremington and Peters Marland. The potteries have unfortunately closed now but the white ball clay pits at Peters Marland and Meeth still quarry and export clay for use in brick- and paper-making. And, of course, Bideford has a black earth pigment named after it that was mined until 1969. Bideford Black was used in the boat industry, to paint tanks in WW2 and by Max Factor to make mascara.
By learning about the materials in our local environment and appreciating their importance to our lives it is hoped that we may also learn to respect them a little more.
“Sitting quietly, doing nothing, spring comes, and the grass grows by itself” Zen Proverb
- THE SOUND OF CHILDREN LISTENING – we have quietly listened to the wind and trees and birds and the sounds of Newport. We have felt the sun and wind and rain on our faces and the earth beneath our feet.
- CIRCLES MADE BY WALKING – we have been walking in big circles on the playing field, making big muddy drawings with our feet.
- 500 children – communal painting on canvas by all members of the school using North Devon Earth Pigments. We have learnt about where paint comes from, how the rocks it is made from are formed, where they can be found in North Devon and how to make paint before adding our mark to the big painting.
- Soil Balls – we have been investigating soil brought in by teachers from around North Devon to see what it is made of and what creatures live in it and then forming it into balls with our hands.
- LEAF COLLAGES – we have been collecting leaves and sorting them to see how many different plants, shapes and colours there are.
- CHARCOAL DRAWINGS – we have been looking very closely at leaves and drawing them using charcoal.
- BUNDLES OF STICKS – we have been gathering sticks from the playing field and tying them together. This simple activity has led to discussions about fuel, building materials and ways of tying things.
- DIRTY HANDS – we have been getting our hands ‘dirty’, covering them and some paper with mud.
- CORDYLINE STRUCTURES – we have been using cordyline leaves to explore natural fibres and making all sorts of things from them.
- WORD WALL – we have been writing down words that the ARTSWEEK activities have inspired.
- SLIDE SHOW – here are some pictures of us exploring, creating and enjoying the activities this ARTSWEEK.
© p ward 2015
To see more of the work visit http://www.newportprimary.devon.sch.uk/artsweek-19th-23rd-january-2015/
* Soil Culture is a project by the Centre for Contemporary Arts & the Natural World to raise awareness about soil through the arts (www.ccanw.co.uk)